Tampilkan postingan dengan label early photography. Tampilkan semua postingan
Tampilkan postingan dengan label early photography. Tampilkan semua postingan

Rabu, 16 Mei 2012

Frances Benjamin Johnston, Self Portrait (c. 1895)



Frances Benjamin Johnston, Self Portrait (c. 1895)
“[Johnston] presents herself with beer mug in one hand, cigarette in the other, and skirt scandalously hiked up above the ankles. On one of her fingers are several rings from male suitors she had rejected.” (Martin W. Sandler, Against the Odds: Women  Pioneers in the First Hundred Years of Photography)

ca. 1875, [cabinet card, Lady Arthur Paget (Minne Stevens) dressed for the Delmonico ball]


Kamis, 19 Januari 2012

Julia Prinsep Jackson, c.1856 - unknown photographer

Julia Prinsep Jackson (1846-1895) was the third daughter of Dr. John and Maria Pattle Jackson. Born in India in 1846, she moved to England with her mother in 1848. This photograph of Virginia Woolf’s mother was taken when she was ten years old and reveals her legendary beauty. She later became a model for Pre-Raphaelite painters, such as Edward Burne-Jones.

Cumbria, Westmorland, Ambleside in the 1890's

Senin, 03 Oktober 2011

Francis Frith - The Rameseum of El-Kurneh



c. 1858
Throughout the 1850s and 1860s photographs of historical and topographical sights were highly desirable and Frith was one of the most successful commercial photographers to cater to this demand. His pioneering photographic expeditions to the Near East proved very popular. The detail afforded by wet collodian negatives, as used for this image, produced prints that British publishers readily marketed. This photograph captures the monumentality of Egyptian landscape and architecture as well as the dramatic play of light on sand and stone.

The Art Journal (1 April 1858) published extensive commentary on Frith's contributions to the 1858 exhibition: 'The real value of photography is, however, most strikingly shown in the productions of F. Frith, jun. His subjects in Palestine and Egypt impress us with a consciousness of truth and power which no other Art-production could produce. The sands of the desert have for centuries been grinding those gigantic columns and colossal statues; and there, before us, is the abraded stone, every mark being preserved to tell how slowly, but yet how surely, the dust of the earth is overcoming the greatest works of man. All those photographs by Mr. F. Frith should be very carefully studied.'

1858 exhibition of the Photographic Society of London



[Charles Thurston Thompson, 'Exhibition of the Photographic Society of London and the Société française de photographie at the South Kensington Museum, 1858', 1858]


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